Lady in Red/Blue - Acrylic on Canvas 31'' x 31''
Inspired in her work by Henri Matisse, Ebba Grethe Moegelvang creates paintings with vivid colors and lively compositions that express a deeply felt passion for her subject matter. Like Matisse, an experience of her work is a feast for the imagination as well as the senses. Grethe 's use of multiple layers and textures invites the viewer to explore the imagery as one's gaze follows a visual line through her aesthetic landscapes. Van Gogh is also a notable influence, as Grethe 's work embraces the organic, curved, meandering lines of nature, leaving no surface neglected in her jubilant images. Growing up in rural Denmark, Grethe has always been surrounded by the majesty of nature, yet hers are not naturalistic pictures, but an artist's sculpting of personal impressions transferred to the canvas, creating a tapestry of color and form.
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Read more... [Ebba Grethe Moegelvang]
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Offer Goldfarb in his studio
Stark, postmodern, and highly intriguing, self-taught Israeli photographer, Offer Goldfarb creates a world of his own through the power of the lens. Goldfarb offers up spare yet symbolic imagery of strong contrasts: hard and soft, here and nowhere, consciousness and void. One of his preferred aesthetic tools is employing large expanses of muted tones to build a dramatic effect, a sort of sensorial deprivation that ends with a vibrant focal point. The urban landscape’s walls, pavement, stairs and buildings are the boundaries wherein dwells the spirit. Lone protagonists linger nearly beyond our sight, in stairwells, peering up close through cracks, or from afar. Displaying a preference for sandy beige and cool grays, offset by tiny areas of crimson or cobalt blue, the pictures are as much a nuanced study of color as an emotive tool. There is a gritty post-apocalyptic feeling to some of his urban works, as if the air had been sucked out of the atmosphere. However it is not destruction but a marked absence of humanity that is both startling and peaceful at once. “I regard photography as a mirror—reflecting my inner world,“ he explains. “Abstract, for me, is getting far from the thing itself, but always leaving a hint for life.” There is a spiritual quality to the works that deal with maintaining identity in a cold hard world. Goldfarb will also turn his minimalist principles towards nature and through his reduction of the human influence we are confronted by elegant, almost painterly images. Hints of nature are often coupled with concrete, glass, or steel.
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Read more... [Offer Goldfarb]
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From the Phenomena Series IV - Mixed Media on Aluminum 45'' x 29''
Alexey Marroquin - Symbolic Organic Forms Alexey Marroquin's longtime interest in working with metals and architectural materials has led him to his current work, which brings universal forms of nature together with skilled and sensitive metalwork in stunning and beautiful ways. His mixed-media pieces highlight a dialogue between intimately organic forms and the beautifully pliant metal of aluminum. Nodules and bumps dot his surfaces in arrangements that resemble microscopic shapes, with a symmetry that brings to the forefront the idea of an order that might be buried within nature and which has been revealed here. Spherical shapes and loops of filaments connect tiny starbursts, and it is this mix of tendrils and stationary nodes that gives Alexy's work its sublime tension. The subtle tones of his colors suggest the surface of pale, imperfect skin, here elevated to the level of the symbolic. Alexey has always been interested in the hidden logic of the universe and believes that it is through art that this logic can be revealed.
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Read more... [Alexey Marroquin]
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Old Shoes - Black & White Digital Photography on Hahnemuhle Cotton Paper 20'' x 28''
Italian artist Alberto Quoco’s expressive photographs speak of an aesthetic fervor for the sensations of motion, stillness and time. In his early work as a dance photographer, he experimented with photography’s expressive possibilities in creating meaning as well as suggesting silent narratives. Since then, his work has explored the beauty created when light and shadow meet by capturing stunning architectural images, sensitive and penetrating portraiture, dramatic nature scenes and figurative works which range in mood from contemplative to erotic, from pensive to serene. Alberto’s style varies according to his subject matter. Some of his work follows a realist tradition, focusing in vivid detail on everyday objects and elevating them to meaningful aesthetic themes. His work is also dreamlike, with time and motion appearing to stand still while the tactile qualities of the material world gain a transcendent luminosity.
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Read more... [Alberto Quoco]
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Susan Marx
Susan Marx loves color. Her expressive brushwork and palette bring to mind the celebrated Impressionists and Fauves, artists entranced by both color and light. She paints en plein air, outside, never from photographs. Susan Marx carefully observes nature and then responds spontaneously with generous brushstrokes and vivid color. There is immediacy to her work. As she paints, the needs of painting itself take over; nature acts only as a springboard. Composition is of the utmost importance; every painting is a study of shape and design. She is concerned with the beauty of the paint itself, using warm and cool colors that sing. There is a celebration of life in Marx’s paintings, a joie de vivre. Her works might bring to mind Monet, Bonnard, Matisse, Van Gogh and other masters, yet her art remains unique for her daring abstraction.
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Read more... [Susan Marx]
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Jane Sandes in her studio
Brazilian artist Jane Sandes’ dazzling, bright and enigmatic resin sculptures evoke forms at once natural and artificial, familiar and mysterious. Her training and accomplishments as a painter, sculptor and architect are apparent in every folding, crinkled, curving shape. She uses color both to serve her expressive ends and as a pop art device, deploying strong tones like yellows and reds to evoke spry passion and humor. Each sculpture features only one color, one continuous component and material plane, with various levels, plateaus, ridges and rivets leading the eye through a series of movements and pauses over the entire piece. These integrated objects are, in fact, radically fragmented. Sandes acknowledges similarities between her work and that of Constantin Brancusi, but points to Donald Judd’s colorful minimalism as the more apt parallel. Like his abstract forms, her sculptures are simultaneously stripped and intricate, offering a smoothed and complete object whose multitudinous corners and contortions remain evasive.
In discussing the inspiration for these iconic objects, Sandes notes the influence of the architecture in the region of Brazil where she lives, the shapes and translucent qualities of waves and precious stones, and the visual motifs of shells and urban systems. Certain of her brighter, opaque pieces also resemble the peeled skin of some odd, octagonal fruit, its outer shell meticulously removed in one continuous strip of gleaming yellow. Regardless of the figurative objects they evoke, Sandes’ sculptures invite complete and total exploration from all sides and angles, calling to mind something akin to the three-dimensional equivalent of M.C. Escher’s famous staircases.
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Read more... [Jane Sandes]
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Moon overnorth Africa - Acrylic 24'' x 30''
Influenced in part by color-field painting, Isabel Bolivar pares down the details of her landscapes to essential colors and forms in order to re-imagine them as powerful and evocative studies of light interacting with structure. Whether presenting an urban street or a vista from nature, her brightly colored, lush imagery is filled with light that permeates the air and resides in the surfaces of her structures and forms. Cities regain their beauty through her paintings, as her work reveals the geometric fundamentals of streets and landscapes. We see them afresh through her focus on the primary tones and arrays that are the building blocks of our perception and the heart of our visual pleasure. Isabel often chooses colors and locales that suggest sand, rock or the tropics, but even if her landscapes are not physically tropical or exotic, there is a powerful feeling of heat and light in her work, as well as weathered, venerable structures, which she portrays as complex, multilayered surfaces with varying degrees of shading.
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Read more... [Isabel Bolivar]
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Page 6 of 11 |
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Artist Profiles
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