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Dan Obana in his studio
We tend to think of digital and analog art-making practices as antithetical or incompatible, but in Dan Obana’s work the two styles and strategies strike a unique balance. Based in Tokyo, he was working as a graphic designer when he developed a digital technique based on the 19th century Japanese woodblock printing tradition Hanga. After dubbing this new method Digital Hanga, Obana began to explore its myriad possibilities. By melding collage, photography, print-making and even sculptural three-dimensional shading effects, he crafts meticulous digital prints whose intricate details act like so many building blocks in the spectacularly patterned compositions.
His rich canvases reward both distant and close readings, with small fragments of images and text presenting viewers with a puzzle-like enigma that also contributes to the overall mosaic quality of each work. Many pieces feature silhouettes, bodies and faces, but these human figures are never the sole focus. They exist on a picture plane that Obana fractures, picks over and reassembles in a thrilling patchwork. Especially in pieces dominated by monochrome earth tones, he performs radical experiments where bodies and movements fault and crack like parched desert ground. Appropriately, these fragmented and reconstituted shapes often evoke Cubism, as though we’re seeing one entity in multiple states simultaneously.
When Obana’s collage prints are more extremely disjointed, the effect is closer to Dadaism. Chunks of photographs and typography float in patterns of scraps and shapes, and formal, abstract properties like color, shape, rhythm and composition become the most striking. He updates the flattened picture planes of 20th century collage by reintroducing depth and suggestions of pictorial space.
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Read more... [Dan Obana]
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Incendio 2 - Oil & Acrylic on Canvas 35.5'' x 59''
Ciceros’s powerful and evocative paintings are inseparable from the experiences of his life. As a native of Medellín, Colombia, where he still resides, Ciceros has been greatly impacted by the omnipresent violence that marks this region. Yet, for Ciceros, the rich history of mysticism within Latin American culture has served in some ways to offset the devastation experienced daily within his immediate environment. This tension between violence and magic characterizes Ciceros’s paintings. Typically a combination of oil and acrylic on canvas, these works are expressionist in nature, marked by depth and texture born from layered brushstrokes, pulsating hues, and the sensation of arrested motion. Color often figures prominently in his creations, heightening the emotions conveyed while highlighting the occasional reference to the eternal, to the time before time to which the artist turns in the hopes of unpacking this culture’s mythic and warring traditions.
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Read more... [Ciceros]
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Patrick Girod in his studio
When looking at a work of art, it is not enough for it only to demand that one stands and contemplates as if to pick up the essence of a painting by osmosis. The work of a true artist grabs and transports the viewer to an alternate reality in which they are engulfed. The work of Patrick Girod is of this second kind. Working with a minimal palette—striking black forms on stark white ground are accented by daubs and areas of yellow, red, blue or green—his paintings are pared down to their utmost essence, rendering them expressive without extraneous detail. Girod’s primary painting technique is the dripping of oil paint onto the canvas. In some works these are left as statements of intent, but where he feels more work is needed Girod will overlay his images with pasted-on radiographies and more layers of oil paint.
Through building up the complexity, he adds depth and texture. However, the main intensity of emotion and movement remains with his initial marks that remain as the foundations of a creative manifestation. Girod is able to express himself so purely due to his methods of preparation for the canvases. Before any marks are made, he takes an emotion, an event, a happening and works on it in his head, turning the thought over, exploring. Each is different; some periods of contemplation are fleeting, others take a long time, but when the time is right Girod moves immediately, marking the canvas rapidly in a state of mind somewhere between conscious and unconscious thought. He is opened to the process and can pour out his feelings uninhibited, directly onto the canvas.
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Read more... [Patrick Girod]
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Abstract XXI - Archival Pigment Print 18'' x 12''
With her captivating images of everyday objects like glass, fabric and metal, Wilda Gerideau-Squires elevates her raw material from its conventional context, strips it of its associations and turns it into a pure visual dialogue between textures, forms and light. Using both film and digital photography, she explores the essence of her objects and creates pictures that are powerful due to their themes of visual contrast, especially the interplay of light upon fabric of varying thicknesses and colors. The resulting abstract images continually remind us that in everything there is an extraordinary element waiting to be discovered and appreciated. Through Wilda's stunning work, we are able to both take in their beauty as art objects, but also identify them with their real-world counterparts, thereby gaining a stirring lesson in the unique and enigmatic qualities inherent in commonplace objects.
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Read more... [Wilda Gerideau-Squires]
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Aga Cela in her studio
While the German-born artist Aga Cela occasionally paints landscapes, flowers, and still lifes, the majority of her works focus on a single figure—a man, woman, or child—whom she depicts in a powerfully stylized manner. Aga Cela works from photographs of the subject, someone she knows, conjuring the composition from her knowledge of the individual combined with her personal artistic intuition. The resulting creations, typically executed in oil on linen, rely on the careful blending of color, line, and shadow to offer a powerful and immediate impression of the subject’s natural disposition. Her artistic technique shifts with respect to the person at hand. At times the strokes run seamlessly together, creating areas of softly transitioning tones and forms that gently flow into each other. At other times the brushwork is quite distinct, as if certain strokes stand on their own to emphasize key moments in or elements of the composition.
This altering of technique contributes to the distinct mood conveyed by each work, providing a glimpse of the individual as well as insight into his or her particular character. A jocular smile, a pensive stare, an anxious glance, an innocent gaze—such clear and emotive expressions communicate the intended atmosphere of the painting in which they appear, bolstered by auxiliary, and at times fanciful background details such as flowers, draped furniture, animals, and instruments. Regardless of these supporting elements, our focus is drawn to the human subject, as Aga Cela unmistakably intends.
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Read more... [Aga Cela]
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Marcela in her studio
Like an intimate window into the primal elements at the heart of our world, surges of vibrant color and lushly textured shapes thrive on Marcela’s canvases with barely contained energy. Her abstract paintings fully embrace the mystery of nature, in which distinct particles come together to create beautiful, mesmerizing patterns. This richly organic aesthetic, a confluence of discrete parts and a visual sense of flow, also has a direct parallel in her creative process, a fervently held personal vision, which she transfers to the canvas. Although her choice of materials has evolved, from oils to acrylics and collage, Marcela has always placed her faith in subjective inspiration. Marcela's true muse comes from her unconscious, not from outside objects or preconceived ideas. For Marcela, the work process is about letting what is inside come out, an internal exploration brought forth and presented as a form of personal communication from her to us. She is also deeply spiritual in her art in that she regards herself as a mere guide to these visions, as well as a navigator through the impressions of what she calls her personal journey in search of self. For Marcela, a canvas is a place where the unknown can be manifest. This process leads to her vivid, stunning arrays of form and motion, like stained glass figures come alive, animating a world of sensations, which would otherwise lie dormant.
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Read more... [Marcela]
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Flower Power - Ball Point Pen, Coloured Pencil 12'' x 16.5''
Renata Cebular creates lyrical artworks that form visual harmonies out of chaos. Her work, produced with ballpoint pen and colored pencil, has an Op Art appearance at first glance due to the swirling abstract explosions of color and pattern. Yet on looking closer, we find that the images recall such different subjects as plant life and flowers, birds and fireworks, becoming meditative and soulful. Whimsical lines released for a frenetic journey loop and cross themselves, forming shapes for patterns and color to fill. Cebular’s technique is to draw the basic patterns at the beginning, using both hands, and this lends a natural sensation to Cebular’s work, as if the everyday doodle has taken a wonderful turn and been transformed into fine art. “The patterns and forms, colors and lines flow from the art daydreams onto the paper out of a feeling of timelessness and harmony of the given moment,” she explains. The disparate regions of the image unify to create the whole, a dynamic visual symphony.
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Read more... [Renata Cebular]
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Page 5 of 11 |
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Artist Profiles
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