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Volume 21
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Artist Profiles -
Volume 21
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Passages II - Silver Gelatin 16'' x 20''
Eleanor Kerr’s photographs cover a wide range of subjects, but share as a consistent theme the interplay of nature both at its most vulnerable and its most resolute. With these intimate organic relationships revealed, Eleanor’s work revels in the textures of stones large and small, and in sky wherever it is found, either hinted at behind clouds, lying reflected within a tranquil pool or merely suggested by a curl of flora. Eleanor has said that she is inspired to draw back the curtain on the mysteries of the natural world in her work. In doing so, she opens our eyes to show us how much we have yet to discover. Whether it is within the intimate patterns found in rock and water, or the wider realm of a hillock, Eleanor’s photography frames moments of transition for us, and it is in these instances of conversion that we recognize our own parallel yearning for growth. Her work reconnects us to nature and generously insists that we have a special place in its inscrutable design. If there is any single aspect to Eleanor’s work that resonates the strongest, it is this generosity. Eleanor shares the landscapes that she has discovered on her artistic journey, and in doing so, she encourages us to explore the corresponding realm within ourselves. |
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Artist Profiles -
Volume 21
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Anna Ravliuc
Wrapped in dark mysticism and soulful beauty, Anna Ravliuc paints extraordinary images of figures, animals, and allegorical still-lifes in a distinctive yet artfully realistic style. Her work speaks of other worlds with hidden powers and limitless possibilities. The imagery is highly imaginative and saturated with fiery passion and artistic invention, constituting an oeuvre that is very unusual in the contemporary art world. With a special process that uses oils and varnish, Ravliuc applies layer after layer of paint with both her fine-tuned rendering skills and an effluence of sprays, scratches and drips. She has a wonderful sense for how the quality of light and dramatic gradations of color sets the stage for a sense of otherworldly amazement. Within the allegory of Ravliuc’s composition, she leaves enough of the story untold for the subject to remain mysterious and intriguing to her audience. With cryptic titles she ushers us into a realm that is littered with dualities, exploring birth and death, socialization and instinct, and, of course, the material and immaterial worlds. “I was inspired by pagan traditions and prehistoric legends of our ancestors,” explains Ravliuc. “The theme of good and evil, life and death is still forceful even nowadays.” She has a mesmerizing style that is obviously beautiful in her composition, her modeling of light and her handling of the paint. The long limbs and sensual poses of her female figures depict an archetype of the powerful, mysterious and erotic female. Another figure that is characteristic of her work is the skeleton, seen dressed in costumes of the most exuberant pattern and color. Embodying death, he often seems to cower before us as if the totemic symbols of fertility leave him in a trembling state. Her works nod to prehistoric belief systems in many instances, using totemic symbols to contemplate the changing seasons, and cycles of the moon and sun as a form of rebirth. Ravliuc has had great success exhibiting her unique breed of art throughout Romania, Ukraine, and the United States. Born in Ukraine, she now lives and works in Romania. |
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Artist Profiles -
Volume 21
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Yellow Lilies - Oil on Canvas
Like the pieces of a glowing puzzle, the rhythms of Taras Borovyk’s composition and his buoyant colors all exist in a dazzling interrelationship. His subjects are distilled down to their essential shapes and tones in order to be reconfigured in our perceptions. In breaking his subjects down to their fundamental visual parts, Taras is exploiting the organic roots of visual forms, specifically the dynamics of light, perspective and emotions in our process of taking in his imagery. Translucent light and smoky shadows achieve material weight. The physical outlines of a church or flora might be overwhelmed by their constituent colors, but his images orchestrate a dramatic and disciplined symphony for the eyes, whether fiery reds framed and balanced by cool greens, or street scenes that are vivid expressions of complex psychological moods. Taras has said that art reveals the intricacies of existence, that through art we can perceive the world with the insight of a poet, and celebrate the subtle and profound just beneath the surface of things. Whether he is presenting a contemplative still-life or the array of color on a European street, Taras Borovyk’s work captures the essence of what he sees as an artist, which he brings forth onto his canvases, so that we also see and experience the world anew. |
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Artist Profiles -
Volume 21
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Terry at Work
Terry Wang’s soulful explorations of the world enchant viewers with beautiful paintings of far off places. Mountain vistas, exotic deities, and colorful portraits form the body of work of an artist who lives fully in the moment. The portraiture exposes an impeccable rendering of form while the studies of the natural world display a playful, animated relationship with the Earth. Many of Wang’s works are akin to anthropology in their dedicated focus on local religious iconography and other cultural pathways. Wang’s portraits of the local Tibetans are intriguing for many reasons, one being the beautifully rendered garments created with brilliant hues and patterns, and another the way he sensitively captures a person’s spirit through facial expression and deep, soulful eyes. His landscapes display a fauvist sensibility for color; there are no grey or black shadows for the reason that in deep recesses, Wang sees brilliant hues of teal, violet and jade. Earth and sky converge with rich ochre and burnt sienna under a setting sun exploding across the heavens with crimson and teal. Working with acrylic or oil on canvas, Wang orchestrates an experience unlike any other, exuberant and lighthearted yet also ancient and soulful. Born in Taiwan, Wang learned to paint from the Chinese Painting Club during his university years. But it is travel that has left its mark upon his creative mind more than anything else. In 2001 he embarked on a 12,000-mile pilgrimage throughout the Tibetan plateau. He stepped along ancient paths, breathed the open air and painted the rugged landscape and local people. “I hope my paintings are magnetic enough to accompany you, prompt your soul to soar, and make it vibrate,” Wang explains. Now that Tibet is completely closed off to outsiders, this artistic sojourn through Tibet became a highly unusual experience in the contemporary art world, one being collected in a book and slated for publishing in Japanese, English and French. Wang lives and works in Kaohsiung, Taiwan. |
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Artist Profiles -
Volume 21
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Rory in his Studio
Brilliantly fun and energizing, Rory D.L. Moorer’s paintings can make us laugh, dance and exalt in a variety of our favorite pastimes. Within his oeuvre, one will discover images of sports, jazz and rock concerts, cultural festivities, and tranquil sunset evenings. Moorer’s works are a celebration of our time here; he points the way towards a happier, jovial existence, poking fun while beseeching us to focus on the positive rather than on our modern ills. His brand of creativity is much needed in the contemporary world and many works seem timeless in their human appeal as if they are recording the moment for posterity. Moorer’s style is fully evolved despite his youthful age and is instantly recognizable for his approach to painting which is straightforward and often nearly illustrative. He uses pure bold colors and dramatic line work that infuses his painting with a powerful sense of movement. Interestingly, the role of texture is minimal, as instead he favors a distinctive use of dramatic perspectives and radiant lighting schemas. He pays close attention to detail, yet sways away from an overtly realistic rendering since it could shatter the playfulness and illusory quality that we are visitors in his world. We often feel as if the moment has been magically freeze-framed as persons running, jumping, cheering, or singing are all caught in mid-air, a delightful voyeuristic tactic. Moorer hopes audiences will “know about me through my works, my sense of humor…my perspective on certain things, or… stop for a minute and interpret something, anything,” Moorer explains. “Not getting lost in the shuffle is half the battle, to stand out is an accomplishment in itself.” Through his artistic talents, Moorer has reached out to his community, painting murals in private and public schools that provide kids with a shared experience through art. He has exhibited his paintings frequently on the West Coast and along the eastern seaboard, from Massachusetts to Florida. Rory D.L. Moorer lives and works in Haddam, Connecticut. |
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Artist Profiles - Volume 21
Feature Articles - Volume 21
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