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Volume 21
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Artist Profiles -
Volume 21
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Gio in his Studio
In a style that is both ancient and modern at once, Giovanni Battista Sciello or “Gio” orchestrates beautiful abstract paintings that speak to audiences through a medley of simple geometric shapes and brilliant colors. His work is founded upon the interplay between a graphic, hard-edged foreground made up of lines, circles, zigzags and crosses, and the tactile, painterly aesthetic of backgrounds. Bright color choices and flowing, calligraphic line-work push and pull one’s attention around the canvas in modulating speeds. There is music within the work, a rhythm that burns and pulsates before your very eyes. The bold shapes and lines repeated in equal segments infuse the image with energy and motion while intriguing glyphs and cryptic titles beckon your attention and tickle the imagination. “I always start from a graphic sign,” explains Gio, “and round this one I build a world of colors trying to express the deep meaning of that symbol.” |
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Read more... [Giovanni Battista Sciello]
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Artist Profiles -
Volume 21
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Dan at Work in his Studio
Utilizing a unique method of digital imaging, Japanese artist Dan OBANA creates a contemporary imagination of the traditional method of hanga block printing. His works, to which he refers as digital hanga, are complex, multilayered photographs of analog materials. OBANA’s synthesis of the digital and analog realms provides not only a thoughtful introspection into the development and role of technology in our contemporary lives, it references the age-old tradition of the multi-layered techniques used to produce original hanga prints. Over time, OBANA believes that the continued refinement of his methods will ,in fact, lead to limitless artistic possibilities, echoing the deep visual effect created by his complexly constructed works. |
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Read more... [Dan Obana]
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Artist Profiles -
Volume 21
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Aktrice at Work in her Studio
Aktrice is a painter of enormous discipline and vision, intriguing in her talent and in her contradictions. Her work exists at the crossroads of disciplines, both modern and classic. Her skills are immediately apparent, yet her subject and approach resist simple definition. For instance, Egger displays a great skill for fine gradations of light and shadow, meanwhile crafting untamed textures more familiar in Abstract Expressionists. She composes sensual figures in breathtaking poses, yet probes deeply into the soul through sensitive portraiture and still-life. These types of dichotomies exist freely together, like love and loss of freedom, a familiar thematic element in Egger’s oeuvre. With the same qualities of drama and dynamism, Egger explores symbolic meaning through particular items devoid of contextual information. The rose, like her figures, presents an emotion like excitement, worry, or acceptance. The outer edges of her works crackle with texture and open up a central void where the singular rose wrapped in chain or tapestry darts across the canvas. With an amazing talent for rendering texture, whether smooth flesh, delicate petals, or cold steel, Egger paints the world with an ambitious realism. In oils or mixed media on linen, she infuses her works with a distinctive air of drama through subtle shading, theatrical lighting, and tight cropping.
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Read more... [Aktrice]
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Artist Profiles -
Volume 21
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I’m Serious - Acrylic on Canvas 60'' x 40''
For Sonja Olson, art is the medium through which she can broadcast her messages. Her canvases are couched in wit and irony – these bright, clean and undeniably cheery canvases hold stark messages about the state of the environment and the futility of consumerism, but the message is delivered through fun. Drawing on pop art, Olson paints images that are associated with mechanical image-making processes. Acrylics are skillfully used to create screen-print effects and comic-book style graphics on canvas. With flat, intense colors, sharp lines and playful inversions, the images are also repeated in series in many pieces, reinforcing the graphic quality of the work. Olson uses these series to trace a path of exploration through the work and in the process depict the repetitiveness of modern consumer culture. |
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Read more... [Sonja Olson]
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Artist Profiles -
Volume 21
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Bessie - Paper 15.5'' x 22.5'' x 5.5''
Like many other highly innovative artists, Sher Christopher did not originally intend to set out on her current creative path. Coming from a family with an engineering background, she trained in Three Dimensional Design, starting out as a furniture designer. It is this strong technical skill and engineered feel that is most strongly evident in her paper sculptures. Cut with a scalpel, Christopher’s figures possess a beautiful precision that shows her as a true master of her craft. Different papers are used and are then layered and folded, contoured and feathered into complex three-dimensional figures. Christopher relishes using a material that is ordinarily flat to challenge our assumptions about how it should be used. Working with paper alone allows these solid structures a fragility and depth that is unique, and adds to the sense of poise of Christopher’s figures. The most striking thing about them is the sense of personality with which they are invested and their presence as individuals. They are imbued with Christopher’s personal fascination with characters in real life, literature and films. Many of her pieces have a striking cinematic look to them. Her work is intimate, fun and constantly engaging. |
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Read more... [Sher Christopher]
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Page 3 of 5 |
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Artist Profiles - Volume 21
Feature Articles - Volume 21
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