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Volume 18
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Artist Profiles -
Volume 18
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The paintings of Atousa Foroohary suggest Realism in depicting colorful landscapes, but always retain magical, ethereal qualities. Foroohary was born and raised in Iran, and her work there adheres to a restrained color palette. Since immigrating to Canada, however, her canvases have exploded. Foroohary’s mesmerizing settings encourage North Americans to rediscover their natural landscape from an outsider’s perspective. Rooted in Realism, much of Foroohary’s work includes Expressionistic daubs of paint that give the paintings tactile qualities, threatening the illusion of three dimensional space. At extremes, this daubing technique approaches Pointillism: canvases become rhythmic patterns of color before congealing into identifiable spaces. In other works, she juxtaposes strong clashing colors evoking Fauvism, sacrificing realism in favor of the emotive and fantastic. This myriad of influences and styles let viewers interrogate the various places, people and paces. In other works, she juxtaposking Fauvism, sacrificing Realism antastic. This myriad of influences gate the various places, people and times that turn up in Foroohary’s work – but only once the captivating brilliance of the paintings has worn off. www.myartclub.com/atousa.foroohary
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Artist Profiles -
Volume 18
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Swiss-born painter Olivier Zappelli’s canvases are striking; as the intensity of their colors and figures subsides, compositional and thematic complexity begins to emerge. He arranges figures painted in clashing colors and styles, and creates impressions of three-dimensional space that are bent and broken the moment they are established. His works momentarily let us admire their boldness and wonder. Detached contemplation is short-lived, however: Zappelli’s works invite us to explore the interactions between their disparate elements and the infinite meanings located therein. Zappelli works in the Magical Realism style, but borrows from other sources, including influences from his travels. |
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Read more... [Olivier Zappelli]
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Artist Profiles -
Volume 18
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John Nieman’s paintings blend the visual icono-graphic sensibilities of Andy Warhol with the concise verbosity of Bar-bara Kruger. His wa-tercolor works, astutely accented by pastels, echo a photorealistic facility with paint, as well as an astute eye for bold images, American icons, and international touch points. Growing up in St. Louis, Missouri, Nieman was engrossed in the images and tokens of Americana that form the backbone of his newest collection of works: a group of “visual riddles,” combining his love of words with iconic images. In each composition he combines a visual token with freely associated lists of names or words encapsulating the contemporary moment. The resulting works are characterized by striking composition, crisp colors, strong shadows and layered meanings of messages and codes. The paintings are visually captivating in their sensuous draw on pop imagery, as well as wordplay and connotation, encapsulating a collective cultural consciousness in every frame.
www.johnnieman.com |
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Artist Profiles -
Volume 18
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Add the perspective of Escher and the color sensibilities of Matisse and you can begin to imagine the wondrous world of Italian water-color artist Alessandro Fabriani. Fabriani’s work is a candy land of color where all distinctions are exploded through the touch of his brush. Shapes collide and intertwine in a bevy of sheer yet vibrant color. Much less mathematically oriented than Escher, Fabriani mixes planes and lines with robust forms and objects to balance his work. He not only utilizes color and form to great effect, he revels in it, and this is apparent in every piece. Utterly unique and playfully joyous, his work is like walking through a dream; time seems to collapse in upon itself, rendering it indefinable. Fabriani has shown extensively over the last ten years, exhibiting in cities such as Berlin, Stockholm, Rome, Vienna, and Paris. He currently lives and works in Sweden. www.Art-Mine.com/ArtistPage/Alessandro_Fabriani.aspx |
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Artist Profiles -
Volume 18
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Every painting of mine is a stage with characters," says Carol Shumas. The West Vancouver-based artist is so captivated by theatre, particularly musicals, that plays have become not just a metaphor for her own creative endeavors but actually figure into her artistic style. Each of Shumas’ paintings looks like a freeze frame of the moment a play reaches its pinnacle. Her chosen subject matters are major events in life that would undoubtedly draw a crowd of spectators. Whether depicting a wedding, a dance, a boxing match, or a concert, Shumas creates a stage, sometimes real and sometimes metaphorical, for her central characters and fills the edges of her work with onlookers. Like “Hamlet,” her paintings are almost like plays within plays: her creations show scenes involving an audience, while simultaneously engrossing real, live viewers that desire to examine her artwork. |
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Read more... [Carol Shumas]
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Artist Profiles - Volume 18
Feature Articles - Volume 18
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