TIM STENSLAND
MAIKEN HEJNFELT
Danish artist Maiken Hejn-felt’s diverse and richly hued paintings ex­plore the natural world in a variety of styles, from literal renderings of bo­tanical scenes, to “ab­stract naturalist” views of landscapes reduced to their basic organic forms and colors. Although Hejn-
Hejnfelt’s work defies categorization, it is thematically unified by her focus on nature and characterized by an experimental quality which reflects the artist’s primary interests in color, texture and light. Originally a watercolorist, Hejnfelt has more recently explored her expres­sive techniques by working in a variety of mixed media, finding that the combination of sand, paper, and acrylic paint best re­veals her unique and evolving aesthetic. More than simply ex­periments in material and color, her paintings are imbued with a strong sense of emotion, which communicates her desire for a shared experience with the viewer. Maiken Hejnfelt’s artwork can be found in numerous corporate and private collections and was recently awarded the “Best in Painting” from Manhattan Arts International.
Website: www.atelier1.dk
T im Stensland has been an artist for over 36 years. His work stretches beyond the canvas, creating powerful, impactful portrayals utilizing a variety of mediums and styles. While his narrative style and expert composition of colors and shapes are both captivating and impressive, it’s the discourse his work incites that’s perhaps the most poignant affect. Often using his work to bring attention to political and social events, Stensland’s paintings can be almost startling. Although a native of Washington, Stensland’s recent depictions of the victims of Hurricane Katrina are so insightful, and appear so deeply personal, they could be perceived as firsthand accounts of the tragedy. Stensland cites his Native American culture for his inherent empathy for the disadvantaged, underprivileged, and oppressed. His work speaks to the depths of the personal experiences of his subjects, clearly and vividly conveying a range of potent messages and emotions.
An Alumnus of Washington State University, Tim Stensland majored in architecture and minored in art. He’s worked as a designer for 25 years and teaches architecture/CAD at a local high school. Stensland is also director of The Art Farm.org and has published a children’s book. Stensland’s work to date is available only in original form and has been exhibited and collected throughout the U.S. and Mexico. Profits from the sale of his work will be donated to Katrina (artists) victims, galleries and Architecture for Humanity.
Website: http://crescendagallery.com
CARY GRIFFITHS
Cary Griffiths’ work takes on a life of its own. As if infused with electricity, the lines and images in his paintings dance to an infectious rhythm, creating conste-
llations and powerful abstract imagery. Reminiscent of starry nights, or the view through the lens of a microscope, Griffiths’ paintings are a series of optical illusions. His use of vibrant colors that tunnel deep into the abyss of his canvases draws the viewer into his world, where reality fades and the remarkable images excavated from the artist’s subconscious emerge. Using acrylic on can­vas, Griffiths’ provides a whimsical map for the viewer’s brave exploration though the many spellbinding, abstract shapes and forms found in his work.
Cary Griffiths began painting as a youth and has exhibited in both the U.S. and Europe. He currently resides in Utah where he is a member of the Artists of Utah and the Intermountain Society of Artists.
Website: http://carygriffithsart.com